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Andreas Kronthaler presented Vivienne Westwood’s Spring 2027 collection at the Palais de la Femme in Paris, combining vivid Bazin cottons, floral prints, beachwear and courtly references. He said the collection’s approach to construction came in part from a late-17th-century jacket whose back was pieced together from leftover fabric.

Andreas Kronthaler presented Vivienne Westwood’s Spring 2027 collection at the Palais de la Femme in Paris, centering the designs on movement, vivid fabric and construction. The designer said he drew on cottons found in Barbès and a historical jacket whose pieced-together back shaped his approach to garments for the season.

The collection set bright prints and beachwear against courtly references and the house’s established punk codes. Flowers appeared in layered combinations, while varied materials and silhouettes repeated across the runway. Farida Khelfa opened the show, and punk poet Stuart McKenzie performed. Natasha Lyonne made a runway cameo in a bright, open leopard-print jacket, according to WWD’s review.

Kronthaler told WWD that the collection’s colors began with visits to fabric shops in Barbès, a multicultural neighborhood in northern Paris. He bought vivid Bazin cottons, selected different fabric lengths “very randomly,” and began working from those materials. The report describes this as one of the collection’s main starting points, rather than a single, fixed theme governing every look.

A second reference came from a late-17th-century Cheat Jacket Kronthaler encountered through his connection with a London costume institute. Its elaborate fabric was concentrated at the front, while its back was assembled from leftovers. He adapted that contrast through combinations of materials and repeated variations on the runway, making the less immediately visible side of a garment part of the design idea.

At a glance
reportWhen: Presented during the Spring 2027 Paris…
The developmentAndreas Kronthaler showed Vivienne Westwood’s Spring 2027 collection in Paris, describing movement and the treatment of a garment’s back as central ideas.

Construction Becomes Part of the Show

Kronthaler’s account makes how a garment is assembled as relevant to the collection as its prints and silhouettes. The historical jacket’s uneven use of fabric offered a practical design reference: decoration did not need to be distributed evenly, and the back could carry its own visual interest. That idea also gives the collection’s stated focus on movement a constructional dimension, rather than limiting it to clothes intended for activity.

The collection also continues the house’s recognizable mix of punk references and theatrical contrasts while showing Kronthaler’s own interests. WWD highlighted slouchy nightshirts and swimwear for men as a playful thread. These looks broaden the collection’s treatment of sensuality; they are the designer’s stated perspective, not a claim that the runway represents a wider shift across fashion.

For readers following the house, the show offers a view of how Kronthaler is working with Vivienne Westwood’s visual language: retaining familiar codes while drawing on personal experiences and historical clothing. The supplied report documents the collection’s references and runway presentation, but does not provide information about retail availability, pricing or commercial response.

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From Barbès to a Historic Jacket

The show took place at the Palais de la Femme during the Paris Spring 2027 fashion presentations. WWD reported that Jaden Smith, Heidi Klum and Klum’s 16-year-old daughter, Lou Sulola Samuel, attended. The report said a Pride march caused traffic disruption across Paris as guests made their way to the venue.

The design references came from two different sources: contemporary fabric shopping in Paris and an archival garment from the late 17th century. Kronthaler’s description connects the vivid cottons to the collection’s colors, while the Cheat Jacket informed his attention to front-and-back construction. These are the influences he identified in comments reported by WWD; the source does not attribute every individual look to either reference.

Kronthaler also linked the nightshirts to his own experience wearing one during a summer marked by heat waves. He said he wore it while cycling and shopping. That anecdote offers a personal starting point for the relaxed pieces, rather than evidence that the designs were made in response to a particular climate forecast or consumer survey.

““The back is just as important as the front. The collection is all about movement.””

— Andreas Kronthaler, as quoted by WWD

What the Report Leaves Open

The supplied WWD report describes the runway and Kronthaler’s stated references, but does not list individual look details, prices, product availability or a retail schedule. It also does not establish how the collection will be received by buyers or customers. The designer’s comments explain his intentions, but they are not independent evidence of audience response beyond the specific anecdotes he shared.

The source identifies the Cheat Jacket as a late-17th-century garment seen through Kronthaler’s connection with a London costume institute, but does not name the institution or provide further information about the jacket’s provenance. It is also unclear from the report whether the nightshirts and swimwear will be sold as shown or adapted for retail.

Retail Details Still Awaited

The next confirmed information to watch for is any brand announcement about availability, pricing or delivery for Spring 2027 designs. Those details are not included in the supplied runway report. Until the house releases them, the collection can be assessed through its presentation and the explanations Kronthaler gave about its materials, references and construction.

Further coverage may also clarify which runway pieces will reach stores and whether the historical jacket reference appears in specific finished garments. For now, the confirmed development is the Paris presentation itself and Kronthaler’s account of the ideas behind it.

Key Questions

What was the main idea behind Vivienne Westwood Spring 2027?

Kronthaler described movement as central to the collection and said the back of a garment mattered as much as its front. The runway paired vivid prints, layered flowers and beachwear with courtly and punk references.

What inspired the collection’s colors?

Kronthaler told WWD that he visited fabric shops in Barbès in northern Paris and bought vivid Bazin cottons. He said he chose different fabric lengths randomly and started designing from there.

What was the historical jacket reference?

Kronthaler cited a late-17th-century Cheat Jacket with ornate fabric at the front and a back pieced together from leftovers. He said that contrast informed his approach to construction for Spring 2027.

Did the report give prices or a release date?

No. The supplied report does not specify retail prices, delivery dates or availability for the collection.

Source: rss

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