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Harper’s Bazaar documented six Daisy Edgar-Jones outfits worn at screenings and premiere-related events for Sense and Sensibility between Sept. 15 and Oct. 1. The looks ranged from an oyster-hued Vivienne Westwood gown to a blush Miu Miu dress; the report does not provide details about the film’s release or the styling team.
Harper’s Bazaar has documented six looks worn by Daisy Edgar-Jones at events connected with Sense and Sensibility, spanning appearances from Sept. 15 to Oct. 1. The outfits included a Vivienne Westwood gown for the London world premiere, a sheer Shushu/Tong dress for a special screening, and designs by Stella McCartney, Giorgio Armani, Alaïa and Miu Miu, giving readers a visual record of her promotional wardrobe across several cities.
The sequence begins on Sept. 15, when Edgar-Jones attended the film’s world premiere at Odeon Luxe Leicester Square in London. Harper’s Bazaar described her outfit as an oyster-hued Vivienne Westwood dress, paired with 19th-century jewelry. The following day, at a special screening at the Whitely in London, she wore a see-through black lace design by Shushu/Tong, layered over hot-pink underwear.
For the Irish premiere on Sept. 17, the report says Edgar-Jones wore a white, plunging Stella McCartney dress with dramatic fur stoles trailing from the shoulders. On Sept. 21, at the Berlin premiere, she appeared in a silver satin mermaid dress by Giorgio Armani, featuring fringe tassels and cold-shoulder sleeves.
The later appearances took place in Australia and at an event dated Oct. 1. At Wendy’s Secret Garden in Sydney on Sept. 30, Edgar-Jones wore a head-to-toe Alaïa look: a high-neck, long-sleeved top with an hourglass silhouette and a tiered cream ruffle skirt. The Oct. 1 entry describes a custom blush-colored Miu Miu gown with sequin embellishments, a corseted bodice, tie shoulder straps and a train. Harper’s Bazaar credits Getty Images for the event photographs.
Six Outfits Across Premiere Stops
The report offers a dated, event-by-event record of the film’s public appearances through Edgar-Jones’s clothing choices, rather than a single red-carpet snapshot. For readers following the actor’s press wardrobe, it shows how the looks varied by occasion and city: structured couture-inspired gowns, a sheer lace screening outfit, and a coordinated Alaïa ensemble in Sydney.
The images and designer credits also make the report useful as a reference for identifying the labels behind each outfit. Those details are confirmed by the publication’s captions, while broader interpretations—such as whether a particular look was intended to evoke Jane Austen’s period—should be treated as fashion commentary, not as confirmed statements from Edgar-Jones or her team. Harper’s Bazaar calls the premiere dress “Austen-coded,” but does not quote the actor or a stylist explaining that choice.
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From London to Sydney
The six entries cover a short promotional period, beginning with the London world premiere on Sept. 15 and continuing through screenings or premiere events in Ireland, Berlin and Sydney. The report’s dates place the looks in chronological order, making clear that the wardrobe was documented across multiple appearances rather than presented as one event’s dress code.
Harper’s Bazaar identifies each designer and describes selected details, but the supplied report does not name a stylist, explain how the outfits were chosen, or provide statements from the designers. Its focus is the clothes and event photographs, not a broader account of the film’s production or release plans.
““Austen-coded””
— Harper’s Bazaar, describing the Sept. 15 Vivienne Westwood look
Styling Credits Remain Unreported
The source does not identify who styled the appearances, whether Edgar-Jones or her representatives selected the outfits, or whether the designers provided the pieces. It also does not include comments from the actor about the clothes or confirm whether the reported six looks represent every outfit she wore during the promotional period.
The Oct. 1 entry names a custom Miu Miu gown, but the supplied report does not specify the event or location associated with that date. The listed dates and garments are presented in Harper’s Bazaar’s captions; the source material provides no additional confirmation or explanation.
Further Press Looks May Follow
The report’s latest listed entry is dated Oct. 1. No future appearances, additional outfits or further fashion coverage are confirmed in the supplied material, so any next stop on the film’s promotional schedule remains unknown. Readers can treat the six entries as the looks documented in this report, not as a complete record of every appearance.
Key Questions
How many Sense and Sensibility looks are included?
Harper’s Bazaar documents six outfits, dated from Sept. 15 through Oct. 1.
What did Daisy Edgar-Jones wear to the London world premiere?
The report says she wore an oyster-hued Vivienne Westwood dress with 19th-century jewelry at the Sept. 15 premiere at Odeon Luxe Leicester Square.
Which designers are named in the report?
The captions credit Vivienne Westwood, Shushu/Tong, Stella McCartney, Giorgio Armani, Alaïa and Miu Miu.
What is known about the styling team?
The supplied report does not name a stylist or provide an explanation of how the outfits were selected.
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